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McKelvey School of Engineering

New Perspectives Talk: Confronting the Strange in Max Ernst's "L'oeil du Silence"

Saturday, October 31 | 11:00 AM

Virtual Event

Max Ernst's "L’oeil du silence" ("The Eye of Silence;" 1943–44) actively resists interpretation and frustrates any attempts at description. Prolonged looking only gives the viewer more contradictions and impossibilities, rather than bringing more understanding. This talk by Max Dunbar, doctoral candidate in the Department of Art History & Archaeology in Arts & Sciences, will explore the indeterminate and ambiguous nature of this enigmatic painting. "The Eye of Silence" sits in between natural and artificial, imaginary and real, chance and control, human and alien. The image never resolves into an understandable scene, and the viewer is left with a puzzle. Surrealist artists like Ernst recognized the potential in this complex web of signs, indeterminate images, and chimerical forms. "The Eye of Silence" confronts the viewer with its ambiguity, and it is up to the viewer to make sense of it.

This program is free, but registration is required. Register here >>

Event Type

Lectures & Presentations

Schools

Sam Fox School of Design & Visual Arts

Topic

Arts & Culture

Website

https://www.kemperartmuseum.wustl.edu...

Department
Mildred Lane Kemper Art Museum
Event Contact

Laura Foughty | lfoughty@wustl.edu

Speaker Information

Max Dunbar is a doctoral candidate in the Department of Art History & Archaeology in Arts & Sciences. He focuses on 20th-century modernism in North America and Europe, and he is especially interested in political art, public mural painting, and artistic formation during the 1930s. His dissertation explores the extensive discourse around left-wing political art during the Great Depression, using the early career of Philip Guston as a case study for many issues and debates about leftist art, federal patronage and arts education.

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